November 28, 2007
Great Record Collectors of the Past
Great Record Collectors of the 1970s
While in the army I acquired a good Minolta 35 mm SLR camera and by the time I started networking with record collectors in the late 1960s and early 1970s I was something of a shutterbug. My photographic skills were (and are) limited, but it soon became apparent that collectors, and their lairs, were at least as interesting as the records they collected. Why not collect collectors, too?
Many of the people in the following snapshots have contributed greatly to our knowledge of recording history, through their books and articles or simply by preserving historic sounds and sharing them with others. Some are now deceased, but others are still very much with us and active in the field. Most seen here were based on the East Coast, since that’s where I lived. My profound apologies to the many who are not included–it’s probably because I didn’t happen to point a lens in your direction or, if I did, I can’t find the &%$#**!! slides. If you can identify any unidentified faces in these pictures, let me know.
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1. Ted Fagan, U.N. interpreter and co-author of the Victor discography, at hishome in Byram, CT. He is ducking out to the right because he didn’t like to be photographed (1970).
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2. Ted’s carnivorous fish, kept in separatecompartments so they wouldn’t eat each other (1970). |
3. A portion of Ted’s “Victor Project” inits raw form (1970). |
4. Taping cylinders at the home of PeterBetz, in Johnstown, NY. Peter is at the back (1969). |
5. Betz and Berliner expert Paul Charoshexamine a cylinder (1971). |
6. A portion of Peter’s cylinder vault(1971). |
7. Paul Charosh, perhaps tracking downinformation for his forthcoming (in 20 years) Berliner discography (1976). |
8. Collector/researcher BillBryant of Portland ME, examining a record (1973).
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9. What’s that matrix numberBill? (1973) |
10. Bill Bryant happily posing with a newbox of cylinders ( c.1974).
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11. Don Cleary’s eagerly anticipatedannual New Jersey “garage sale” (1976). |
12. Home of dealer Peter Leavitt, GardinerME. Would you expect to find 100,000 records in this house? (1972) |
13. Peter Leavitt (1972). |
14. In the basement, Leavitt’s stock (1972). |
15. Jason Coppernoll of Palatine Bridge,NY, a dealer and a gentleman (1972). |
16. Why do collectors seem to attractcats? (1972) |
17. Coppernoll and part of his stock(1972). |
18. The gnarled hands of a masterrepairman, Al Gerichten (1972). |
19. Gerichten in his New Jersey shop(1972). |
20. Gerichten at work (1972). |
21. A portion of Gerichten’s stock (1972). |
22. “Witch’s hat” phonograph hornsstacked at Gerichten’s (1972). |
23. Charlie Hummel, well-known New Jerseydealer/collector (1973). |
24. A portion–just a portion–ofHummel’s vast collection (1973). |
25. “September Morn” adorns acollector’s wall. And why not, it’s a collector’s item! (1972)
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26. A vivacious lady namedIna adds a little glamour to the phonograph room (1973). |
27. Llewellyn Harding, an elderly PortlandME collector who could remember buying pre-1910 records when they were new (1978). |
28. Red-jacketed Maurice Pope ofPortland ME hosting a meeting of the New England Society for the Preservation of Recorded Sound ( c.1974). |
29. Pope’s record room ( c.1974). |
30. Records even festooned Pope’sceiling ( c.1974). |
31. Charlie Hodgdon,Newburyport MA collector, whose wife confined his collection to a closet (1972). |
32. Charlie’s closet (1972). |
33. Money changing hands: well dressedclassical collectors at New York’s Vocal Record Collectors Society (1972). |
34. A meeting of the VRCS (1972). |
35. When Bill Violi (back to camera)arrived with bags of rarities, collectors swarmed around (VRCS, 1972). |
36. Dealer Bill Violi (1972). |
37. Mardon Hinkle, New Yorkclassical collector and relative of early recording artist Florence Hinkle (1885-1931); (1972). |
38. Rabbi Arthur Soffer, collector andMardon’s companion. A short time later they sold their collection and moved to The Netherlands (1972). |
39. A meeting of the considerably earthierRecord Research Associates, the longtime New York jazz and pop club. George Blacker is presiding (1975). |
40. The back row at the RRA meetingshouts encouragement (1975).
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41. Noted author and Antique PhonographMonthly publisher Allen Koenigsberg (1973). |
42. A lot was going on at the APM offices(1973). |
43. And sitting in the corner, anextraordinarily rare phonautograph! (1974) |
44. Edison expert Prof. Ray Wile in hisporchfront study (1975). |
45. Dr. Philip Petersen, West Coast early-phonograph expert (1976). |
46. Bettini expert RobertFeinstein (1976).
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47. Famed researcher GeorgeBlacker (1976). |
48. Blacker with his homemade cylindermachine, the Electrographophone (1976). |
49. Close-up of anotherElectrographophone (1976).50 (at right). Cylinder recording expert Peter Dilg (1975). |
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51. Dilg and collector Don Nelson (1974).52 (at right): Ralph M. Newman, editor ofNew York rock magazines Bim Bam Boom and Time Barrier Express, with a wall of 45 rpm’s (1972). |
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53. Newman also collected antiquephonographs (1972). |
54. The many shades of brown waxcylinders (Newman, 1972). |
55. Educator Charles Lane, my onetimeEnglish teacher (yeah, blame him!). (1969) |
56. The Queens, New York, street onwhich Glenn Miller lived in 1938 (1974). |
57. A Scopitone videojukebox at a Florida museum (1973).
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58. Swedish researcher BjornEnglund, Stockholm (1974). |
59. Finnish researcher Pekka Gronow(left) and friend, in Helsinki (1974). |
60. Collector Dave Cotter and his son, inSanta Cruz, CA (1971). |
61. Martin Bryan, St. Johnsbury, VT,publisher of The New Amberola Graphic (1980s). |
62. “When Gabriel Blows HisHorn” – the Edison Museum in Fort Myers, FL (1973). |






























































